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Jacqueline du Pre, by Elizabeth Wilson
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Authorized by du Pre's husband, Daniel Barenboim, this is the fullest account yet of the life of the brilliant cellist, struck down in her prime by multiple sclerosis. Charting her career from her early identification with the sound of the cello, through her debut at sixteen to the achievement of international stardom by her early twenties, Elizabeth Wilson examines the origins and nature of Jackie's prodigious talent - having talked to nearly everyone in musical circles who knew her well - and assesses her lasting importance as an interpreter. She describes her transformation from coltish girl to woman, and her marriage to the brilliant Daniel Barenboim, concluding with a sensitive account of du Pre's decline, when, no longer able to play, she struggled bravely against the ravages of her illness, until her death in 1987.
- Sales Rank: #4092790 in Books
- Published on: 1999-04-10
- Original language: English
- Number of items: 1
- Dimensions: 7.75" h x 1.24" w x 5.00" l, 1.12 pounds
- Binding: Paperback
- 496 pages
Amazon.com Review
This biography of the cellist Jacqueline du Pré, who died in 1987 after a long struggle against multiple sclerosis, has been written with the full support of her husband, the musician and conductor Daniel Barenboim. At first sight it could be construed as something of a counterweight to books critical of Barenboim written by du Pré's brother and sister--in particular A Genius in the Family. But while Barenboim does present his side of the story--in relation to both du Pré's illness and the strains it put upon their marriage--Elizabeth Wilson has in fact presented a balanced portrait of du Pré not only as a woman but also as an artist. And this is the book's real strength.
Wilson, a cellist herself, knew du Pré in her playing days and has paid as much attention to the music as to the offstage emotional dramas. She burst upon the music scene as a phenomenally talented 16-year-old, and ever since, du Pré's fame and tragic life story have made the task of stripping the myth from the reality no easy task. In fact, Elizabeth Wilson has done a professional job in unraveling du Pré's enigmatic life and legacy, but most of all, she reminds us that du Pré became famous in the first place because of her genius as a musician. --Nick Wroe, Amazon.co.uk
From Publishers Weekly
The classical cellist, who flourished briefly as the brightest young star in the firmament in the 1960s and early '70s, only to see her career ended before she was 30 by multiple sclerosis, still causes a stir a dozen years after her premature death. Unlike the rather controversial memoir by du Pr?'s brother and sister that became the basis of the recent, well-received movie Hilary and Jackie, Wilson's thorough and carefully considered work evidences no such sensationalism. As someone who knew the subject for much of her life (and as a cellist herself), Wilson is in an unusually strong position of being able to write from both personal knowledge and professional expertise. Her evocation of du Pr?'s performance abilitiesAher great strengths, occasional excesses and her close attention to the still largely available recorded legacyAis invaluable. As to the more scandalous aspects of her subject's life, involving an affair with her sister's husband and seeming neglect of the parents who had done so much for her, Wilson finds that these elements occupied only a brief period of du Pr?'s life, when she was in a state of great nervous and mental confusion as her illness began to take its toll. It does seem clear that du Pr?, a remarkably unschooled and innocent person to have achieved such a degree of fame when barely into her 20s, was out of her depth in the high-powered, jet-setting crowd of musicians who hung out with her new husband, pianist-conductor Daniel Barenboim, and that this may have exacerbated her anxieties. In any case, this account of her legacy, as musician, teacher and benefactress to those similarly stricken, is notably the definitive one. Photos.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Cellist Jacqueline du Pr? was arguably the most famous British musician of the 20th century. A "golden girl" prodigy, she was part of a dazzling group of musicians that included her husband, pianist-conductor Daniel Barenboim; Itzhak Perlman; Vladimir Ashkenazy; and John Williams. Her gift for communication through music and her imaginative, free-spirited nature caught the attention of the press and the public. Her fame only increased when she was diagnosed with multiple sclerosis at the age of 28 and her career was cut tragically short. Wilson, herself a cellist, had access to family papers and the full cooperation of du Pr?'s husband. Her thorough book goes into great detail about du Pr?'s musicianship without slighting her compelling personal story and replaces Carol Easton's more general Jacqueline du Pr?: A Biography (Summit, 1989. o.p.), which focuses less on du Pr?'s music. This will be of special interest to musicians and music lovers, though the recent release of the biographical film Hilary and Jackie may increase general interest. Highly recommended.AKate McCaffrey, Onondaga Cty. P.L., Syracuse, NY
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
13 of 17 people found the following review helpful.
Good bio
By J. Okamoto
Jacqueline du Pré was a child prodigy on the cello. She made her debut at the age of 16, having been held back by her mother and cello teacher. But once she hit the stage - she became an international star. Her playing was so interpretive that she was often criticized for detracting from the music. However, she also influenced many notable classical musicians of our time with her fervent interpretations of the cello repetoire. Her career as a cellist, however, was short-lived as, at the age of 27, she was diagnosed with MS. Her cheerful demeanor and courageous outlook on life is chronicled here, as are most of her performances.
This biography, while some times reading like a discography of Jacqueline du Pré is a very biased toward du Pré's husband's point of view, but much more even-handed about du Pré than Hilary and Jackie. However, Elizabeth Wilson is herself a cellist and student of du Pré and she makes a lot of assumptions that the reader will also have a thorough understanding of certain musical terminology such as up or down bow or glissando. This is an interesting book, but may be terdious to anyone who does not have a thorough grounding in the cello repetoire, classical music or the playing of a stringed instrument.
19 of 23 people found the following review helpful.
A very complete, very "British" book
By Ed Ting
Du Pre-philes are going to be flush with pleasure after reading this. It's a scholarly work that seemingly pins down every concert that Du Pre ever played, often with mini-reviews of the performances. It's far preferable to the trashy "Hilary and Jackie" and does far better service to Du Pre's life and art. Thankfully, the ending segments dealing with Du Pre's illness are short and to the point.
American readers should be aware that this is a VERY "British" book. Wilson uses British spelling and grammar throughout, and assumes a knowledge of the local geography. Like many British writers, Wilson has a charming ignorance of America, and even goes as far as to "correct" our spelling - "The Lincoln Centre (sic)", "Pittsburg (sic)", "The Carnegie Hall (sic)". On page 300, a truck stop in the Midwest is hilariously referred to as a "highway transport cafe."
Recommended for Du Pre's many fans.
24 of 30 people found the following review helpful.
Excellent, balanced biography
By A Customer
Wilson's book about J. DuPre provides a balance to Wilson's and to Hilary DuPre's books. This book is a tribute to her musical genius, her inspiration to female cellists. With the author being both a cellist and a friend of J. DuPre, the depth of the book exceeds what the others pretend to offer. After reading the book, I listened to DuPre's performance of the Schumann and Elgar Concertos and marveled at her talent. The tragedies in her life and her relationship with her family should not overshadow her genius. I am eager now to view the documentaries produced by C. Nupen about this musical treasure whose life was cut short way too early.
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