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When We Were Orphans, by KAZUO ISHIGURO
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From the Booker Prize-winning, bestselling author of Remains of the Day comes this stunning work of soaring imagination.
Born in early-twentieth-century Shanghai, Banks was orphaned at the age of nine after the separate disappearances of his parents. Now, more than twenty years later, he is a celebrated figure in London society; yet the investigative expertise that has garnered him fame has done little to illuminate the circumstances of his parents' alleged kidnappings. Banks travels to the seething, labyrinthine city of his memory in hopes of solving the mystery of his own, painful past, only to find that war is ravaging Shanghai beyond recognition-and that his own recollections are proving as difficult to trust as the people around him.
Masterful, suspenseful and psychologically acute, When We Were Orphans offers a profound meditation on the shifting quality of memory, and the possibility of avenging one’s past.
- Sales Rank: #12025147 in Books
- Published on: 2001
- Format: Import
- Original language: English
- Dimensions: 7.76" h x .94" w x 4.96" l, .0 pounds
- Binding: Paperback
- 313 pages
Amazon.com Review
When 9-year-old Christopher Banks's father--a British businessman involved in the opium trade--disappears from the family home in Shanghai, the boy and his friend Akira play at being detectives: "Until in the end, after the chases, fist-fights and gun-battles around the warren-like alleys of the Chinese districts, whatever our variations and elaborations, our narratives would always conclude with a magnificent ceremony held in Jessfield Park, a ceremony that would see us, one after another, step out onto a specially erected stage ... to greet the vast cheering crowds."
But Christopher's mother also disappears, and he is sent to live in England, where he grows up in the years between the world wars to become, he claims, a famous detective. His family's fate continues to haunt him, however, and he sifts through his memories to try to make sense of his loss. Finally, in the late 1930s, he returns to Shanghai to solve the most important case of his life. But as Christopher pursues his investigation, the boundaries between fact and fantasy begin to evaporate. Is the Japanese soldier he meets really Akira? Are his parents really being held in a house in the Chinese district? And who is Mr. Grayson, the British official who seems to be planning an important celebration? "My first question, sir, before anything else, is if you're happy with the choice of Jessfield Park for the ceremony? We will, you see, require substantial space."
In When We Were Orphans Kazuo Ishiguro uses the conventions of crime fiction to create a moving portrait of a troubled mind, and of a man who cannot escape the long shadows cast by childhood trauma. Sherlock Holmes needed only fragments--a muddy shoe, cigarette ash on a sleeve--to make his deductions, but all Christopher has are fading recollections of long-ago events, and for him the truth is much harder to grasp. Ishiguro writes in the first person, but from the beginning there are cracks in Christopher's carefully restrained prose, suggestions that his version of the world may not be the most reliable. Faced with such a narrator, the reader is forced to become a detective too, chasing crumbs of truth through the labyrinth of Christopher's memory.
Ishiguro has never been one for verbal pyrotechnics, but the unruffled surface of this haunting novel only adds to its emotional power. When We Were Orphans is an extraordinary feat of sustained, perfectly controlled imagination, and in Christopher Banks the author has created one of his most memorable characters. --Simon Leake
From Publishers Weekly
Set in Shanghai on the eve of World War II, Ishiguro's Booker-nominated novel follows the surreal predicament of Christopher Banks, an English expatriate whose overwrought state is perfectly rendered by narrator John Lee. After his parents are mysteriously kidnapped, nine-year-old Christopher is shipped off to England, where he grows up to become the Sherlock Holmes of his timesAa man able to right wrongs, restore order. After 18 years, Banks returns to Shanghai with the bizarre notion that if he can find his parents, he can prevent the world war. Banks's search drags him through the era's Chinese-Japanese war in a masterful sequence where past and present, reality and imagination, good and evil become indistinguishable. Lee seamlessly renders Banks's complex psychology, but he employs an exaggerated nasal voice for the characters of several pompous Brits, and his Chinese and Japanese accents are often off-putting. But listeners probably won't let these small blemishes keep them from Ishiguro's much-acclaimed tale of abandonment, nostalgia and self-delusion. Based on the Knopf hardcover (Forecasts, July 10).
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Atmosphere, historical detail, suspense: Ishiguro's new book has it all, and if the parts finally don't add up, the author should still be credited with providing another great read. He should also be credited with originality, for though he investigates the polarities of insider-outsider, English-foreign, as he has done before (e.g., The Remains of the Day, The Unconsoled), he is hardly writing the same book again and again. Here, Christopher Banks is an Englishman born in early 20th-century Shanghai whose parents disappear mysteriously when he is nine. He is escorted to England, grows up to be a famed detective, and returns to Shanghai, convinced that his parents are still alive and that he must find them. The reader is less convinced that Banks is a real detective and wonder how he can entertain the romantic notion that his parents have been held hostage in Shanghai for decades, but the truth behind their disappearance comes as a satisfying surprise. And the writing is just wonderful, at once rich and taut. More writers should take style lessons from Ishiguro. For most collections.
-DBarbara Hoffert, "Library Journal"
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great but not for everybody!
By Mary Grey
If you enjoy an author who view life through a unique lens, here he is. I love the mystery set in Shanghai amidst a strange backdrop and a turbulent moment in human history.
2 of 4 people found the following review helpful.
The Unconsoled - part two - maybe
By Raymond D. Marshall
What if you lived a life of a lie? Getting into Kazuo Ishiguro's mind is difficult, but he must have read Great Expectations by Charles Dickens. Like Pip, young Christopher was supported as a gentlemen by an endowment that was not quite what he thought. What happens when your life is no longer what you think? The life of Sarah Hemings is not what he thought either. Like in "The Unconsoled", Christopher enters into a lost world of rear entries, mysterious passages, unfamilier, and disappearing landmarks. People appear and disappear in a nightmarish experience while he is trying to reach his goal. Beyond the maze lies the truth -the unobtainable truth. Or is the truth is far from previous belief? When our truths become unsubstantiated what do we do? What do we do when our core beliefs about ourselves are proven unless. What Christopher does is... But that is the story. You will think for this book for a while. Writers - this book is a good example of the use of movement through time - compressed time and expanded time.
0 of 0 people found the following review helpful.
Jarring and Bitter
By frumiousb
_When We Were Orphans_ is the little detective story that wasn't. A sort of literary equivalent of _Chinatown_, the book questions the wisdom and reliability of the detective narrator and turns most of the familiar tropes on their head. The resulting novel has a very strange and at times an almost awkward feel as the reader keeps reaching for devices that she's sure are there, but slip just out of grasp. Dark and in the end very disturbing-- I found myself thinking about this novel long after I closed the book.
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