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Stanley Kubrick, by Vincent LoBrutto
PDF Download Stanley Kubrick, by Vincent LoBrutto
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When Stanley Kubrick first sold a photograph, at the age of 17, he had already begun telling stories through pictures. Without any formal education in film-making, he taught himself to make films through photography and by spending many hours in his local cinema. At 21 he financed and created his own short film, "Day of the Fight", thus beginning a controversial cinema career that has incorporated films such as "Dr Strangelove", "A Clockwork Orange" and "2001: A Space Odyssey". This detailed biography of Kubrick includes interviews with people who knew him during his formative years, as well as accounts by professional colleagues.
- Sales Rank: #6892478 in Books
- Published on: 1998-08-24
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.52" w x 5.25" l, .0 pounds
- Binding: Paperback
- 608 pages
Amazon.com Review
In 1962, an MGM trailer teased its audience by asking "How Did They Ever Make a Movie Out of Lolita?" Readers of this book, which recounts the life of Lolita's director, might ask, "How Did They Ever Write a Biography of Stanley Kubrick?" Kubrick is the most reclusive of celebrities, a man who seems mysterious even to those who have known and worked with him. Vincent Lobrutto's engrossing and beautifully researched biography succeeds in tracing this meticulous and brilliant visionary from his childhood and early career as a photographer for Look magazine to his creation of masterpieces such as Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, and Full Metal Jacket. Lobrutto concludes his book by discussing projects that have not yet been realized: Eyes Wide Shut, a film about sexual obsession, the Holocaust drama Aryan Papers, and the most eagerly awaited of Kubrick's prospective movies, the science fiction film A. I.
From Publishers Weekly
Despite making only 12 feature films in 40 years, Stanley Kubrick (b. 1928) is arguably the greatest living American filmmaker, the principal creative force behind such movies as Paths of Glory, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange and The Shining. He is famous for his reclusiveness and eccentricity. Although this biography falls short of its stated purpose to be the first complete account of Kubrick's private life, it succeeds in presenting a convincing portrait of a man who is utterly devoted to every aspect of filmmaking, down to poster design. LoBrutto (Elia Kazan: Film Director), a film professor at the School of Visual Arts in N.Y.C., provides an exhaustively researched and detailed account of the making of Kubrick's films, including long interviews with many of the actors, writers and film craftsmen who have worked with the director over the years. Kubrick comes across as a soft-spoken tyrant in full command of every detail who somehow manages to win and keep the respect of those who work for him. For the true film buff, there's an astonishing amount of technical information, but there's also a good deal of illuminating backstage human interest?Kubrick cutting Kirk Douglas's final close-up in Spartacus as a joke, beating George C. Scott at chess between takes of Dr. Strangelove, asking Malcolm McDowell if he knew any songs he might sing during the rape scene in A Clockwork Orange. The tone of the book is a bit gee-whiz at times, but it's hard to fault LoBrutto for that: from the evidence here, Kubrick's boundless energy and passion for film are as breathtaking as the best of his movies. Photos and filmography.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Perspectives on Stanley Kubrick. Stanley Kubrick is the acclaimed Bronx-born, British-based director of such notable films as Paths of Glory, Spartacus, and Dr. Strangelove. Among those who have admirably analyzed his oeuvre are Michael Ciment (Kubrick, 1980. o.p.) and Thomas Allen Nelson (Kubrick: Inside a Film Artist's Maze, LJ 4/15/82). Because Kubrick has directed only Full Metal Jacket (1987) since those books were published, these new evaluations will supplement rather than supersede them. Falsetto's work contains an introduction to Kubrick's career, a complete filmography, 22 essays (one by Kubrick himself), and four interviews, including the 1968 Playboy discussion of 2001: A Space Odyssey. Academic evaluations are complemented by nuts-and-bolts articles about the groundbreaking special effects of 2001 and use of the Steadicam camera on The Shining. The only sour note is "Full Metal Jacket: The Unravelling of Patriarchy," used by its author to snipe at Margaret Thatcher and a British commission on language. Contrast this with its intelligible companion piece, Thomas Doherty's "Full Metal Genre: Kubrick's Vietnam Combat Movie." LoBrutto's book is the first full biography of its subject. Although the reclusive director did not grant him an interview, LoBrutto gained the cooperation of childhood and adult friends and associates and gathered a truly vast amount of background material from primary sources (school records, marriage certificates, letters) and secondary sources (books, obituaries, reviews). Regrettably, his editors have allowed every bit of the information LoBrutto collected to remain in the text. Although much of the detail is welcome, the needless adjectives ("masterful Hamlet"), minutiae (hour of birth of his first wife), and plot synopses that should have been in the filmography often make this tedious reading. Buy where completeness is a goal.?Kim R. Holston, American. Inst. for Chartered Property Casualty Underwriters, Malvern, Pa.
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
12 of 12 people found the following review helpful.
A filmography more than a biography
By matthewslaughter
Published in 1999, prior to the release of "Eyes Wide Shut" and the death of his subject, Stanley Kubrick, Vincent LoBrutto's biography arrived, however unfairly, at the wrong time. Since Kubrick did not grant LoBrutto the kind of access a strong biography needs, he had to do the nasty gruntwork that makes biographical writing, particularly of the deceased, such a demanding, but ultimately rewarding adventure. We can only speculate, but now that Kubrick has been dead for nearly eight years, that perhaps Christiane Kubrick and their daughters would grant access into the secretive, obsessive world that made Kubrick such a mythic filmmaking figure.
Instead, we have a text that owes to LoBrutto's extensive knowledge of cinema more than it does to the insight of Stanley Kubrick. The book starts off poorly, reading like a catalog of events and dates, lacking any real musical sensibility for his use of the English language. LoBrutto hits his stride when describing the making of Kubrick's breakthrough film "The Killing." From there, LoBrutto's research into the depths of Kubrick's approach to filmmaking is rewarding. We learn about Kubrick's use of specific movie cameras, lenses, his approach to scoring films, "needle-dropping," his approach to lighting and his encyclopedic absorption of the subject matter pertaining to the films he made.
However, as a "biography," a study in human character, LoBrutto's book is thin. We learn little about Kubrick's attitudes towards his Jewish heritage. His first two marriages are passed over without any real depth. His obsessive nature and the creation of his own closed-off world, akin a filmmaker's Xanadu, are provided little to no psychological depth or inquiry. Kubrick comes across in LoBrutto's text as a reserved, calm guy who really didn't antagonize anybody. This overly consistent portrayal of his subject leads me to believe that, since Kubrick was still living at the time the author was writing this book, that LoBrutto was fearful of getting sued or blacklisted if he wrote anything too critical of the director. For these reasons, the book does not receive my overwhelming recommendation. But for aspiring directors, this books is a marvel, providing wonderful glimpses into the habits, approaches and skillsets of America's greatest film director.
16 of 18 people found the following review helpful.
A soporific odyssey
By A Customer
Despite my great interest in Stanley Kubrick's work and personality, I couldn't finish this biography by Vincent LoBrutto. Disappointment sets in very quickly as one realizes that LoBrutto's writing style is very tedious, amateurish and repetitive. The irony is that the author is clearly an admirer of Kubrick and has done extremely meticulous research -- what a shame that the editing was not nearly as careful, quite unlike a Kubrick film.
I switched to John Baxter's recently published biography and, though that book certainly has its own weaknesses, it is much more concise and has a livelier style. After finishing it, I picked up the LoBrutto book again in an attempt to at least skim it for additional detail, especially since it offers more technical information. I have again given up. The poor style is too much to endure and the extra detail is not interesting. One wonders whether the Baxter biography is merely a more professional rewrite of the LoBrutto book.
9 of 10 people found the following review helpful.
Light & Smoke & Mirrors
By The JuRK
This was the first full biography of Stanley Kubrick I read, buying it in hardback as soon as it was published. There had been very little biographical info on the director until his death in 1999 and I think I read most of the books about his films up to that point.
I was disappointed with this bio. It got to the point where the last sentence in every third paragraph read, "And there was only one man for that job, and that man was Stanley Kubrick."
I found John Baxter's bio, also called STANLEY KUBRICK, much more entertaining and enlightening.
If you've seen Kubrick's daughter's short film, "The Making of THE SHINING," on THE SHINING DVD, you get a glimpse of the rewriting frenzies that went on--a genuine shock to me since Kubrick's films appeared so tight and controlled ("We make it up as we go," Jack Nicholson jokes as a Kubrick assistant literally cringes), a look at the director's temper when a scene doesn't go right, and the scenes featuring his disregard for Shelley Duvall border on cruelty.
All of this is more than you'll find in LoBrutto's biography.
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