Minggu, 30 November 2014

? Download Ebook Moviemakers' Master Class II: More Private Lessons from the World's Foremost Directors, by Laurent Tirard

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Moviemakers' Master Class II: More Private Lessons from the World's Foremost Directors, by Laurent Tirard

  • Sales Rank: #16110658 in Books
  • Published on: 2006-05-15
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 240 pages

Most helpful customer reviews

8 of 9 people found the following review helpful.
Where is this book???
By Benjamin
Part I was spectacular, I read it in all of two days, and then I quickly searched the internet to find Part II -- It was never released!! They made a cover, they listed who would be in it, but it was never released!

I tried to find Laurent Tirard's contact information, and I looked to see if I could contact Faber & Faber to beg them to publish this book. Alas! I can only hope it rises to the surface in the future.

Right now, they only have a spanish and french version, which is so lame.

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> Free Ebook Patrick Hamilton: A Life, by Sean French

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Patrick Hamilton: A Life, by Sean French

Patrick Hamilton, author of "Rope" and "Gaslight", had a life full of strange contradictions. He came from a family of powerful literary failures, and yet he made his name internationally while in his mid-20s. He became a committed Marxist but married - twice - into the aristocracy and although his family was wealthy, he was drawn to the poor and genteel.

  • Sales Rank: #5389757 in Books
  • Published on: 1993-11-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.27" h x 1.46" w x 6.19" l,
  • Binding: Hardcover
  • 258 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
GOOD BIO, BAD CRITIQUE
By reading man
This book qua biography is an improvement on Nigel Jones' earlier attempt. The major source is still Hamilton's correspondence with his brother Bruce, so not a lot of new details are added, but French is a better writer and his understanding of some of Hamilton's relationships (including with Bruce) seems more cogent.

However, French's literary judgements are unsatisfactory. It's probably not fair to read the biography of a writer for first-rate literary criticism: how, for example, could you read a biography of a second-rate novelist like Hugh Walpole or, even worse, an overpraised poseur like D.H. Lawrence.

But French's literary judgements are mostly bad and occasionally absurd.

For example, he acknowledges that Bone's "schizophrenia" in HANGOVER SQUARE is a "literary mechanism rather than a medical condition", but understates how Hamilton's incomprehension on this point weakens the novel, in spite of its striking characters.

He praises SLAVES OF SOLITUDE, Hamilton's greatest novel, but doesn't say in particular why it stands out for its atmosphere and unusual insights into ordinary mortals. And is he really correct to say that the novel ends happily for Miss Roach?

His praise of the Gorse trilogy is very weak.

He acknowledges the power of THE WEST PIER, Hamilton's last but least good novel. He argues that STIMPSON & GORSE is "a remarkable advance on [PIER]" rather than "labored and facetious" (Sadlier's judgement) and has "an air of knowingness" (Walter Allen).

To call UNKNOWN ASSAILANT "a haunting valedictory work", as French does, is nonsense: even Hamilton thought it was a poor effort.

French's most egregious criticism is of Hamilton's brother Bruce.

He says of TOO MUCH OF WATER, an outstanding whodunit, that it's "clumsy and unconvincing". Shades of Edmund Wilson!

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Jumat, 28 November 2014

# PDF Ebook Miss Julie and The Stronger: Two Plays, by August Strindberg, Frank McGuinness

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Miss Julie and The Stronger: Two Plays, by August Strindberg, Frank McGuinness

Frank McGuinness presents scintillating new versions of two of August Strindberg's plays -- one a major work, the other less well known. Miss Julie is Strindberg's examination of power, sex, and class, set on a midsummer's eve in a nobleman's house and focusing on the shifting relationship between Miss Julie, the daughter of the house, and Jean, her father's manservant. The Stronger is a short play that explores the complex range of emotions felt by Madame X when she encounters Mademoiselle Y, her husband's former mistress, at a fashionable cafe. Calling Mademoiselle Y worn out and evil, Madame X says that the triumph of her marriage proves she is the stronger of the two -- even though these words ring hollow, as she attempts to deceive only herself.

  • Sales Rank: #1665788 in Books
  • Brand: Brand: Faber n Faber
  • Published on: 2002-04-18
  • Released on: 2002-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .19" w x 5.00" l, .21 pounds
  • Binding: Paperback
  • 96 pages
Features
  • ISBN13: 9780571205431
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the Publisher

Frank McGuinness presents scintillating new versions of two of August Strindberg's plays -- one a major work, the other less well known. Miss Julie is Strindberg's examination of power, sex, and class, set on a midsummer's eve in a nobleman's house and focusing on the shifting relationship between Miss Julie, the daughter of the house, and Jean, her father's manservant. The Stronger is a short play that explores the complex range of emotions felt by Madame X when she encounters Mademoiselle Y, her husband's former mistress, at a fashionable cafe. Calling Mademoiselle Y worn out and evil, Madame X says that the triumph of her marriage proves she is the stronger of the two -- even though these words ring hollow, as she attempts to deceive only herself.

Frank McGuinness is the author of several plays, including Someone Who'll Watch Over Me, as well as many acclaimed translations and adaptations, including Electra and A Doll's House. He teaches at University College, Dublin, and lives in Dublin.

About the Author

Frank McGuinness is the author of several plays, including Someone Who'll Watch Over Me, as well as many acclaimed translations and adaptations, including Electra and A Doll's House. He teaches at University College, Dublin, and lives in Dublin.

August Strindberg (1849-1912) was a Swedish dramatist, novelist, poet and essayist. His plays include The Father (1887), Miss Julie (1888), The Sronger (1890), Easter (1900), The Dance of Death (1900), A Dream Play (1902), and The Ghost Sonata (1907).

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0 of 0 people found the following review helpful.
McGuiness Approaches Strindberg With A Light Hand
By WMR
The version of Miss Julie here hews very close to Strindberg's original and only occasionally does the language give off sparkles of a more Irish idiom. (Enough to remind you who did this version, not so much as to intrude upon the nature of the original.)
The Stronger, on the other hand, never seemed to be as interesting a play as it does in this version.

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Rabu, 26 November 2014

>> Download Revolution!: The Explosion of World Cinema in the Sixties, by Peter Cowie

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Revolution!: The Explosion of World Cinema in the Sixties, by Peter Cowie

An evocative and unique exploration of the most important era in international filmmaking

In film history, the sixties are commonly known as the golden age of international cinema. The period from 1958 to 1969 saw a brilliant explosion of talent not just in Europe but throughout the world. From Sweden and Poland to India and Japan, from Brazil and Hungary to Spain and Czechoslovakia, young filmmakers seemingly sprang out of nowhere, challenging the stale conservativism of fifties cinema. With films like Jules et Jim, 8 1/2, and Breathless, to name but a few, they flouted taboos both sexual and political while bringing sharper, fresher, franker, more violent, and more personal visions to the screen than ever before.

In Revolution!, Peter Cowie discusses the themes, trends, and creative filmmakers of the period-including Antonioni, Bergman, Cassavetes, Fellini, Godard, Kurosawa, and Truffaut-while focusing on those whose voices still evoke the struggles and achievements of the sixties and set the creative and intellectual standard by which today's finest films are still held.

  • Sales Rank: #2271035 in Books
  • Brand: Brand: Faber n Faber
  • Published on: 2004-06-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .84" w x 6.13" l, .0 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
The 11-year span from 1958 to 1969 proved one of the most transformative and dynamic periods in cinema history, and film historian Cowie interweaves historical narrative and candid interviews with European filmmakers to chart the origins of this revolutionary celluloid expressionism and its later influence on American filmmakers such as Francis Ford Coppola and John Cassavettes. Movements such as Italian neo-realism, led by Luchino Visconti, Vittorio De Sica and Francesco Rosi, and the French New Wave reflected a post-World War II landscape brutalized by fascism and fascinated with the rise of communism. The period’s benchmark films, by mostly European directors and writers, shifted the camera lens to the character of society and away from the man who lives in it. "Rewriting the grammar of film," according to Cowie, was Jean Luc Godard, who launched the French New Wave movement with his 1960 film, a bout de souffle. With this and the endeavors of François Truffaut, Claude Chabrol and others, French filmmakers introduced a more natural, autobiographical style of moviemaking that accentuated the minutia and redundancy of life. Cowie also profiles less publicized pioneers, such as Andrzej Wajda, considered the Ingmar Bergman of Eastern Europe, who helped put Polish cinema back on the map after the country’s years of foreign occupation. In Britain, directors John Schlesinger, John Boorman and Carol Reed captured the bleak factory life of the proletariat and rebelled against social norms and the European class structure under the nose of the conservative British government. A comprehensive and engrossing study, the book ably illuminates the path from the 1960s explosion of ideas to their not-so-subversive presence in today’s art-house films. 62 b&w illustrations.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Possibly no writer has a better vantage point from which to survey the 1960s boom in European art cinema. Revolution! has the involving momentum . . . of a good TV documentary, shifting rapidly from country to country and innovation to innovation." --Godfrey Cheshire, The American Scholar

About the Author
Peter Cowie is the author of more than twenty books on film. He served as international publishing director for Variety for many years.

Most helpful customer reviews

6 of 6 people found the following review helpful.
A wonderful survey of an entire era
By Sean Yeatts
This is a wonderful, well-written and informative text on the cinema in the '60's. It's main focus is the European film industry, and through first-hand accounts, interviews and retrospective narratives, Cowie deftly examines the decade of revolution and how the cinema changed and the personalities who contributed to the art form's liberation. There are a number of names and films explored that are by now standard and should be studied (Fellini, Bergman, Wajda, "Persona," "L'Avventura") and a host of others who are more obscure but are deservedly mentioned (Schlondorff, Makavejev, Glauber Rocha, "Black God, White Devil"). Indispensable for anyone interested in the era, or European cinema in general.

0 of 0 people found the following review helpful.
Overview of '60s cinema
By Thomas F. McDonough
A very enjoyable overview of '60s cinema, written by a critic who witnessed it firsthand. The writing is rather impressionistic overall, but is supplemented by interviews with all the major figures he discusses. Well worth the time!

0 of 0 people found the following review helpful.
Present at the creation
By Dr René Codoni
Peter Cowie-Revolution!: The Explosion of World Cinema in the Sixties
62 b&w illustrations, 304pp Faber and Faber 2005

Peter Cowie is the author of more than twenty books on film. He served as international publishing director of Variety for many years. I apologise to the estate of Dean Acheson for having used the title of his memoirs for this review without first asking.

Contents: Acknowledgements ●Introduction ●1 Once Upon a Time in the Fifties ●2 Cinéphiles to Cinéastes: France in Transition ●3 The Realist's Eye ●4 The Big New Wave ●5 Burying 'Papa's Cinema' ●6 Towards a Fresh Aesthetic● 7 Commitment Comes in from the Cold ●8 1968 and All That... ●9 Aftermath: The Impact on Hollywood ●10 The Long Goodbye ●Notes ●Interviews ●Filmographies of Directors Interviewed ●Index

>>> An evocative and unique exploration of the most important era in international filmmaking. In film history, the sixties are commonly known as the golden age of international cinema. The period from 1958 to 1969 saw a brilliant explosion of talent not just in Europe but throughout the world. From Sweden and Poland to India and Japan, from Brazil and Hungary to Spain and Czechoslovakia, young filmmakers seemingly sprang out of nowhere, challenging the stale conservatism of fifties cinema. With films like Jules et Jim, 8 1/2, and Breathless, to name but a few, they flouted taboos both sexual and political while bringing sharper, fresher, franker, more violent, and more personal visions to the screen than ever before. In Revolution!, Peter Cowie discusses the themes, trends, and creative filmmakers of the period--including Antonioni, Bergman, Cassavetes, Fellini, Godard, Kurosawa, and Truffaut--while focusing on those whose voices still evoke the struggles and achieve-ments of the sixties and set the creative and intellectual standard by which today's finest films are still held.>>>Barnes & Noble

>>> Cowie never captures the fervor of the period. In sweeping arcs, he moves from country to country-from Italy to France to Eastern Europe, Great Britain, and the US-as he surveys the films and directors whose work defines the period: Antonioni, Truffaut, Polanski, Godard, and many other auteurs. But as the innovative films of this time used the jump-cut to move without transition from one scene to another, Cowie also jumps from one director, one film, one country to another, often without making the kinds of connections that would give cohesion to his work. He offers, for example, interesting primary material (transcripts of his interviews with the period's major filmmakers) but merely drops their remarks into the text verbatim, adding little comment. He covers many significant films, but often too briefly-he terms Deliverance a "masterpiece," but devotes only a half-sentence to it. Anyone who has never seen the film, or the several others he glosses over, will not comprehend their influence. And his pedestrian prose fails to mirror the revolutionary style of the times. Hollywood exerts its "siren call," movements begin "with a vengeance," and Pier Paolo Pasolini lives "at the cutting edge of scandal." More a notebook than a vital history. (62 b&w illustrations) >>>Agent: Laura Morris Kirkus Reviews

I can only reiterate what Laura Morris put so succinctly: (In my phrasing,) It is all there, but the gas is out of the bag. Having lived through that period myself (I am only four years younger than the author), I have no problem following at all - I know all the names, seen nearly all the movies, knew some of the people like Glauber Rocha and Dusan Makavejev, so the flood of names and references is not inconclusive to me at all - please note that I am not belittling Miss Morris; on the contrary, I admire her honesty and insight. As regards Mr Cowie's "pedestrian prose", I agree, but then, I generally find most film critics (not to speak of music critics, who are worse) not to write particularly well, and always with lots of redundancies - yet for Mr Cowie's particular case, his erstwhile colleagues Richard Roud and Thomas Milne (Milne, of all places, was born in Malacca) did very stylish, elegant writing.

For whatever it is worth, this is my one hundredth book review for amazon (us or uk). I have revlewed many Nouvelle Vague and related period books, and I generally found that the "fervor of the period" (Miss Morris) was only really caught by articles and books written during the actual period - like Neupert's NV, or the fantastic account by Josef Škvorecký: All the bright young men and women, A personal history of the Czech cinema (1972). Despite its imperfections, Peter Cowie's book, on top of being near free (its current trading price is next to nothing plus postage) is something of a prime source, and should almost be a must for anybody interested in film. Four star, but buy it, read it!

fbus 100 - Peter Cowie-Revolution: World Cinema in the Sixties -Present at the creation (2005) - 23/5/2013

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  • Sales Rank: #4961680 in Books
  • Brand: Brand: Faber n Faber
  • Published on: 1988-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.50" w x .25" l,
  • Binding: Paperback
  • 86 pages
Features
  • Used Book in Good Condition

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  • Sales Rank: #10974224 in Books
  • Published on: 1982
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 492 pages

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0 of 0 people found the following review helpful.
Worth the read
By Victor Taylor
Very interesting to see how the people behind the Chinese revolution thought. In many ways they were very progressive- at least the early thought leaders and yet their revolution led to a very oppressive system.

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Plays Two:
Dancing at Lughnasa
Fathers and Sons
Making History
Wonderful Tennessee
Molly Sweeney

Introduced by Christopher Murray, this second collection of Brian Friel's plays includes some of his most acclaimed work for the stage.

From the troubled family life of five sisters in 1930s Donegal that is the core of Dancing at Lughnasa (now a major motion picture starring Meryl Streep) to the current-day birthday celebration that is the major external event of Wonderful Tennessee, Brian Friel demonstrates his emotional range and empathy for his characters. He evokes not simply the interior landscape of human beings trapped in their domestic situation but the wider landscape-interior and exterior-of which they are a part.

  • Sales Rank: #359606 in Books
  • Brand: Brand: Faber Faber Plays
  • Published on: 1999-06-30
  • Released on: 1999-06-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.78" h x 1.42" w x 5.05" l, .94 pounds
  • Binding: Paperback
  • 544 pages
Features
  • Used Book in Good Condition

Review

“The play, brilliantly constructed, is the best Friel has yet written.” ―Observer on Dancing at Lughnasa

“A delicately written play that subtly alters the emphasis of Turgenev's book in the light of modern experience.” ―Guardian on Fathers and Sons (after Turgenev)

“This is Friel's most accomplished and important play since Translations...It has the same suppleness of argument and beauty of writing.” ―Financial Times on Making History

“Friel is a master...The play is a brilliantly notated fugue of laughter and lament.” ―New Yorker on Wonderful Tennessee

“A dramatic poem of cumulative power and irresistible poignancy.” ―Observer on Molly Sweeney

“Of all the contemporary authors, there is no one I admire more highly than Brian Friel...Molly Sweeney is magnificent, and I read it with great joy.” ―Peter Brook on Molly Sweeney

“Once again, Friel has achieved a masterpiece.” ―Independent on Sunday on Molly Sweeney

About the Author

Brian Friel was born in Omagh, County Tyrone (Northern Ireland) in 1929. He received his college education in Derry, Maynooth and Belfast and taught at various schools in and around Derry from 1950 to 1960. He is the author of many plays that have taken their place in the canon of Irish Literature, including Philadelphia, Here I Come! (1964), Lovers (1967), Translations (1980), The Communication Cord (1982), and Dancing at Lughnasa (1990). In 1980 he founded the touring theatre company, Field Day, with Stephen Rea.

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2 of 4 people found the following review helpful.
The Greatest Irish Dramatist Alive
By Tom O'Leary
Really, to call Friel an Irish playwright is to pigeon hole him unfairly. This group of plays by Brian Friel attests to his extraordinary talent as a modern playwright, period. He dramatizes the human journey using equal doses of humor, pathos and tragedy. These remarkable, fully-dimensional characters leap of the page, or, if you're very lucky, the stage. No avid theater fan should be without these works of art. Order this collection immediately.

0 of 2 people found the following review helpful.
Honest as advertised a book of plays
By dwyne
If you don't know Brian Friel's plays, this contains enough to start you off. But lets be honest, it is a book of plays with an introduction. That's what I ordered and that's what came. Good enough for me

0 of 2 people found the following review helpful.
Dramatic Readings
By T. Ryan
Friel on the page is almost as vivid as he is on stage.

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Archy And Mehitabel, by don marquis

Archy is a cockroach who writes free verse at night about his friends and adventures, primary among them is Mehitabel, a gay and capricious feline. Considered by many to be Don Marquis' masterpiece. Many cartoon illustrations by George Herriman.

  • Sales Rank: #4706532 in Books
  • Published on: 1934
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 192 pages

Most helpful customer reviews

44 of 44 people found the following review helpful.
A Funny Little Book
By A.Trendl HungarianBookstore.com
"Archy and Mehitabel" is a strange, funny little book. Drawing from the conversational poetry found in books like Edgar Lee Masters "Spoon River Anthology," Marquis uses a colloquial style which not only suits his characters, but works in a poem. Lots of laughs, some decent writing, and a tasty way to spend a Saturday afternoon.

Talking animals are easy to find in literature. Good ones, like a cat and a cockroach of this caliber, are not. Marquis brings humanity by allowing his animals to stay animals. Spiders still are poisonous, rats are still threatening, and cockroaches have never been able to type the capital letters on a typewriter. Marquis pushes reality, keeping his characters grounded in truth (OK, he fudges with truth a lot, but don't let that stop you).

While filled with humorous tales, moments are sad, like in the ninth poem, "freddy the rat perishes." Dear Freddy has a run in with a spider who is up to no good. In a valiant struggle, a tough South American spider ("raised on red pepper and blood" and "nursed on tabasco sauce") Freddy is killed while saving his friends. Freddy ate some poisoned cheese the night before and let the spider bite him, knowing he had nothing to lose. After it was over, Archy and Mehitabel dropped Freddy "off the fire escape into the alley with/military honors". Despite the whole premise being ridiculous, a tear might well up.

Children will love being read the stories, and younger teens may find poetry readable (before you send them on to Keats and Byron!). Great, funny pictures, completely in the context of each poem-tale.

I fully recommend this book.

Anthony Trendl
editor, HungarianBookstore.com

36 of 37 people found the following review helpful.
".....transmigration is the game..."
By yygsgsdrassil
metthinks
the vers libre of
archy literate cockroach
and mehitabel krazy kat s kouzin
are amazing and amuzing
good thing amazon.com has most
of the cocroaches volume via marquis
herriman s drawings captures
marquises tone and surrreality
and hyperreality perfectly
like a cross between a glorious
post apocalypse a goofy sat
morning cartoon and an unkept roadside
chuck wagon i believe we
all should keep
cockroach farms
just in
case just in
case
ygsgs

28 of 28 people found the following review helpful.
Found in a college mailbox
By Charlotte Hartzell
Archy and Mehitabel came into my college mailbox over and over again back in the early 40s. I was being courted by a fellow journalism classmate, who began typing sections from Marquis' book and sending them to me anonymously through the college post office. Occasionally, he alternated Archy with red roses. We worked together on the college publication, twice a week, for three years. And eventually married. Just last night our son, now 51, and I were recalling the book, which I had not seen (or even thought about for many years). The copy of the hardback which he gave me has long since vanished from my shelves, much to my dismay. That seems to happen to all my most favorite books! My son opened his laptop and found this familiar old "odd couple" at amazon.com, alive and doing well after all these years. I'm ordering a new copy tonight! Thanx amazon.com!

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Selasa, 11 November 2014

>> Free Ebook Sid and Nancy: Love Kills, by Alex Cox, Abbe Wool

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Book by Cox, Alex, Wool, Abbe

  • Sales Rank: #2780013 in Books
  • Brand: Brand: Faber n Faber
  • Published on: 1986-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 1.00" w x 1.00" l,
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
It was like reading a screenplay
By Michelle Williams
Not at all. It was like reading a screenplay. I had been excepting a novel. I was very disappointed.

1 of 2 people found the following review helpful.
What a boring book
By Sue
What a boring hard to read book. dry and grueling. I can't say much more because I didn't finish it.

2 of 4 people found the following review helpful.
Fantastic!
By Metrokitty
I loved the movie "Sid and Nancy" so I was intrigued when I found this on Amazon. I really enjoyed it.

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* Ebook Download Barcelona and Metropolitan: A Tales of Two Cities (2 Screenplays), by Whit Stillman

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Barcelona and Metropolitan: A Tales of Two Cities (2 Screenplays), by Whit Stillman

This volume brings together two screenplays which celebrate two different cities - New York in winter and Barcelona in summer. Metropolitan won the New York Film Critics Best New Director Award and an Academy Award nomination for Best Original Screenplay.

  • Sales Rank: #227592 in Books
  • Brand: Brand: Faber n Faber
  • Published on: 1994
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .86" w x 5.28" l,
  • Binding: Paperback
  • 281 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

20 of 20 people found the following review helpful.
Witty, offbeat, accessible and overall worthwhile
By A Customer
Whit Stillman's reputation as a filmmaker continues to grow. Recently The Last Days Of Disco was met with a respectable showing in popular movies. This book, however, reminds us of his more obscure beginnings.
Certainly Stillman is known for his slow style, often hiding huge plot developments within seemingly endless dialogue. The main problem with this is that the dialogue is so engrossing one can miss what's going on. This combination of screenplays (including what is still my favorite film in Metropolitan) allows one to revisit the dialogue and look at it from other angles.
This compilation is made even more worthwhile with the inclusion of cut scenes which shed more light onto the characters, especially Audrey and Sally from Metropolitan. Overall at full price this book would still be a bargain.

10 of 12 people found the following review helpful.
Dialogue Dialogue Dialogue
By cassavetes@rica.net
In a time that has seen independent cinema become a genre in and of itself, it has become harder and harder to spot something worth viewing, or in this case read. Whit Stillman has created two stories that deal with that all to common emotion--love, blended with a "well-read" background of ideals, and a fantastic cast, he has designed stories unparallaled by any other. His focus is on the world he surrounds his characters with, and how it molds and shapes who they are. Never having all the answers, just knowing all the questions.

0 of 0 people found the following review helpful.
Worth it for the bits of extra dialogue
By Buffy
If you're a fan of either of these movies then the films remain the star attraction. But if you're a fan who can't get enough and have see the films multiple times then the book is a worth while purchase. There are lines that were cut from the final movie and lines that are spoken differently that what was written on the script. It's a fun 'behind the scenes' look and for someone who has seen Metropolitan in the double digits now it was fun to read the original script.

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Senin, 10 November 2014

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New Anatomies, Grace of Mary Traverse, Our Country's Good, Love of a Nightingale & Three Birds Alighting on a Field

  • Sales Rank: #1480757 in Books
  • Published on: 1996-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.36" h x 5.00" w x 7.80" l, .82 pounds
  • Binding: Paperback
  • 400 pages

About the Author
Timberlake Wertenbaker's plays include New Anatomies (ICA, London, 1982), Abel's Sister (Royal Court Theatre Upstairs, 1984), The Grace of Mary Traverse (Royal Court), which won the Plays and Players Most Promising Playwright Award in 1985, Our Country's Good (Royal Court and Broadway), winner of the Laurence Olivier Play of the Year Award in 1988 and the New York Drama Critics' Circle Award for Best New Foreign Play in 1991, The Love of the Nightingale (RSC's Other Place), which won the 1989 Eileen Anderson Central TV Drama Award, Three Birds Alighting on a Field (Royal Court), which won the Susan Smith Blackburn Award, Writers' Guild Award and London Critics' Circle Award in 1992, The Break of Day (Out of Joint production, Royal Court and tour, 1995), After Darwin (Hampstead Theatre, 1998), The Ash Girl (Birmingham Rep, 2000), Credible Witness (Royal Court, 2001), Galileo's Daughter (Theatre Royal, Bath, 2004), Arden City (NT Connections, 2008) and The Line (Arcola Theatre, 2009). She has written the screenplay of The Children, based on the novel by Edith Wharton, and a BBC2 film entitled Do Not Disturb. Translations and adaptations include Marivaux's La Dispute, Jean Anouilh's Leocadia, Maurice Maeterlinck's Pelleas and Melisande for BBC Radio, Ariane Mnouchkine's Mephisto, adapted for the RSC in 1986, Sophocles's The Theban Plays (RSC, 1991), Euripides' Hecuba (ACT, San Francisco, 1995; BBC Radio 3, 2001) and Hippolytus (Riverside Studios, 2009), Eduardo de Filippo's Filumena (Peter Hall Company at the Piccadilly Theatre, 1998), Pirandello's Come tu mi vuoi, Gabriela Preissova's Jenufa (Arcola Theatre, 2008) and Racine's Brittanicus (Wilton's Music Hall, 2011).

Most helpful customer reviews

12 of 13 people found the following review helpful.
One of the greatest playwrights, not to mention female.
By Scrabeck@compuserve.com
This book of plays is one of the best and most interesting I have read. Wertenbaker tackles many subjects including female cross-dressing, female sexuality, and the plight of the criminal first sent to Australia. Very different topics and all well written.

0 of 0 people found the following review helpful.
Love of a nightingale
By kate
I also have never read this book but my college is staging love of a nightingale i think that timberlake wertenbaker writes with such poise this book cant be missed.
The play love of a nightingale is in a greek style but the plot is so intriging that anyone who previously thought greek tragedies boring will be proved wrong this one keeps you reading. i should know as a college production being forced to pick a greek play we werent pleased we must have got the best one possible brilliant to stage brilliant to read this book is a must if u are considering staging a greek production dont send ur audience to sleep liven them up with philomele's urging desire to know about sex and when she wishes she didnt. If the rest of this book is as good as love of a nightingale its worth it.

0 of 0 people found the following review helpful.
I bought this to read New Anatomies for a class ...
By Amazon Customer
I bought this to read New Anatomies for a class but haven't read any of the other scripts in the collection. That said New Anatomies was a very interesting read!

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