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A Doll's House: A New Version by Frank McGuinness (Faber Plays), by Henrik Ibsen
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Nora Helmer, wife to Torvald and mother of three children, appears to enjoy living the life of a pampered, indulged child. But as her economic dependence becomes brutally clear, Nora's acceptance of the status quo undergoes a profound change. To the horror of the bewildered Torvald, himself caught in the tight web of a conservative society which demands that he exert strict control, Nora comes to see that only possible true course of action is to leave the family home.
Frank McGuinness's version of A Doll's House received its London premiere in October 1996 and opened on Broadway in 1997, where the production won four Tony Awards.
- Sales Rank: #177440 in Books
- Published on: 1997-02-27
- Released on: 1997-02-27
- Original language: English
- Number of items: 1
- Dimensions: 7.78" h x .31" w x 4.84" l, .23 pounds
- Binding: Paperback
- 112 pages
Review
“A triumphant Doll's House . . . thrilling.” ―John Lahr, The New Yorker
“A wonderfully loose-limbed adaptation.” ―The New York Times
“Superb . . . This is a play very much for today. Frank McGuinness's sprightly and spirited new version secures its place as a truly contemporary masterpiece.” ―Mail on Sunday (London)
From the Back Cover
Ibsen's classic play was greeted with shock on its first production in 1879, with both its style and subject matter being seen as radical and subversive.
About the Author
Norwegian playwright Henrik Ibsen was born in 1828. His plays include Peer Gynt (1867), A Doll's House (1879), Ghosts (1881), An Enemy of the People (1882), Hedda Gabler (1890), and The Master Builder (1892). He died in 1906.
Frank McGuinness was born in Buncrana, Co. Donegal, and now lives in Dublin, where he teaches at University College. His plays include: The Factory Girls (1984), Baglady (1985), Observe the Sons of Ulster Marching Towards the Somme (1985), Innocence (1986), Carthaginians (1988), Mary and Lizzie (1989), The Bread Man (1991), Someone Who'll Watch Over Me (1992), The Bird Sanctuary (1994), and Mutabilitie (1997). His translations include Ibsen's Rosmersholm (1987), Peer Gynt (1988), and Hedda Gabler (1994); Chekhov's Three Sisters (1990), Uncle Vanya (1995); Lorca's Yerma (1987); Brecht's The Threepenny Opera (1991); and Ostrovsky's The Storm (1998).
Most helpful customer reviews
3 of 3 people found the following review helpful.
Be careful
By Roger F Stacey
This edition of the play was apparently cut for acting purposes, something I found out only after using it to prepare for a group reading of the play aloud. It does not contain the full text of the play; nor does it have the character of the original. I wish that had been made clear before I purchased it.
3 of 4 people found the following review helpful.
Read it Aloud.
By JAD
Ibsen's best known play about the strictures imposed on women by society. It may be from a hundred years ago, but the plight of Nora and her world is a cautionary tale about life now.
Nora is simple and yet there is a complexity about her. Her naiveté is both her charm and her undoing. Torvald, her husband, is prominent and she is to be showy--a living doll. Nora is to be a mirror that reflects her husband beautifully.
The plot concerns financial woes in the marriage--and secrets kept and broken--in these, the story is not unlike most stressful marriages.
We can speculate about what Nora could or should have done but the die is cast.
This play is good for helping younger readers understand that assumptions about roles in marriage are still there, and have to be understood and discussed in order to help a marriage thrive.
If you have a place where you can read this aloud, try it. Plays were meant to be spoken. The translation is superb.
14 of 21 people found the following review helpful.
Nora's Epiphany
By Erica Gregoire
In this play by Ibsen Nora loses the ability to make Torvald love her any longer. This is the epiphany. Nora is the protagonist, she is a "doll" living within Helmer's house. Nora is strictly to look good and to keep her husband happy. In this play beauty is the motif that is recognized throughout. To Helmer Nora is an object, a trophy. When Nora's epiphany is finally relized by the reader she is in the middle of her awakening. Here we find the climax of the play. Nora is looking for Torvald to correct her wrong doing, and in doing so Nora sees the failure of her marriage. And now knows she must leave the false society she has know for so long and start a new.
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