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I lay there alone in bed, feeling the black shadow creeping up the underside of the world like a flood tide. Nothing held, nothing was left. The silver airplanes and the silver capes all dissolved and vanished, wiped away like the crude drawings of a child in coloured chalk from the colossal blackboard of the dark. The writings in this collection outline Plath's early preoccupation with issues of mental illness, creativity and femininity, all of which would become recurrent themes in her later work. They offer special insight into her development as a writer, and arguably paved the way for her only full-length piece of prose writing, the loosely veiled fictional autobiography, The Bell Jar. This second edition contains the thirteen stories included in the first edition together with five pieces of her journalism, as well as a few fragments from her journal; and a further nine stories selected from the Indiana archive.
- Sales Rank: #356153 in Books
- Published on: 1998-01-03
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .79" w x 4.96" l, .54 pounds
- Binding: Paperback
- 352 pages
About the Author
Sylvia Plath (1932-1963) was born in Boston, Massachusetts, and studied at Smith College. In 1955 she went to Cambridge University on a Fulbright scholarship, where she met and later married Ted Hughes. She published one collection of poems in her lifetime, The Colossus (1960), and a novel, The Bell Jar (1963); Ariel was published posthumously in 1965. Her Collected Poems, which contains her poetry written from 1956 until her death, was published in 1981 and was awarded the Pulitzer Prize for poetry.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Forget What You Have Read....
By A Customer
Forget what you've read about this particular book by Sylvia Plath. Most reviews published upon its release is 1977 hinted that the book confirms that Plath's finest talent was poetry. While that statement is apt, that is not to say her abilities as a prose fiction writer are not close on its heels--remember, she did write "The Bell Jar".
Indeed, Plath's name was made in America partly on her prose writing as well. This book collects the best of those short stories, which were featured in literary magazines during the 1950s and 60s. As well, some of her journalism is found here, and last but not least, samples of her student notebooks from Cambridge.
The edition being offered here is the longer 2nd edition from 1979 which was expanded with nearly ten more short stories that surfaced in an academic arhcive in Indiana in 1978. While most collectors struggle to acquire first editions--if it's good writing that you want, this 2nd edition will please you far more.
Lastly, while Ted Hughes' introductions to Plath's work have been met with cynicism over the years (considering his role in her life and eventual suicide), Hughes' introduction stands out as a flattering and insightful tribute to the work of his first wife.
I am glad I gave myself the chance to read and enjoy this book despite the warnings. I guess some of the best books do not necessarily appeal to masses of people--ahh, that is the joy of having a mind.
3 of 3 people found the following review helpful.
Heartbreaking reality
By Lady Reader's Bookstuff
Plath knew how to write the most beautiful yet heartbreaking words. I am still utterly obsessed with them and not sure that I will ever find anyone that can/could describe life the way that she has. Sylvia Plath's was a horrific tragedy and one that I won't soon forget.
0 of 1 people found the following review helpful.
Sylvia's star shines brightly and explains her amazing legacy
By Stanley Skov
Sylvia Plath beguiles and reviles doubters with her twirling words and twisting plots. She drives the English language like vintage Porsche at top speed. It is no wonder she shook convention and the artifice of academic and womanly domains of her time. She still cuts like a knife and wounds pretense and dogma like a master surgeon. I fell under her spell and wished heartily for more.
The truth is that she cut ✂ her very own self off to the complete detriment of her beautiful and now successful artist/writer daughter Frieda and scientist son Nicholas, who followed her deadly suicidal trail a few years ago.
One weeps inside for the insensitive, masculocentric/bully world that drives "civilization" and so grossly misunderstands the needs of women, children, and huMAN himself.
I had tenderness for husband/daddy Ted Hughes and felt that he in turn was bullied all of his remaining life for the role he played in this heart tearing famous family saga, which it became. Ted the poet laureate was educated in England, Sylvia in America and she committed suicide in London one cold and snowy Feb. night which savagely underscores our fascination for the macabre in the making of her enduring legend.
For a so called "civilized" country, England has perpetrated more losses to the quality of natural life and respect and support of naturally occurring families than all of every poor tribe gone to hell in it's conquering clutches. America being one. Whatever people think about tribal life, people listened to each other, honored the talented, respected differences and eccentricities, shared childcare beautifully and understood that men were men and employed ways of training them into great morality, strength and vigor. The British method of shunning, isolating and judging scorned and poverty stricken women and children chilled Sylvia to the bone and I am still chilled to the bone that
JK Rowling, the current best selling author in the world, and woman, has still had to disguise her gender to prevail.
Shame on the march of "PROGRESS" that has now lead to the incredible dehumanization that has now all but swallowed the poetic/sacred voices of all who might have mattered and survived to follow Sylvia's courageous footsteps.
3 cheers to Frieda for enduring, the most deeply grooved requirement to human spiritual existence. Their story makes ours more livable if not any less tragic.
H.O. Jones in guise of masculo-dominated internet domain partner's acct.
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