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Someone Who'll Watch Over Me: A Play, by Frank McGuinness
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An Englishman, an Irishman and an American are locked up together in a cell in the Middle East. As victims of political action, powerless to initiate change, what can they do? How do they live and survive?
Frank McGuinness's new play, introduced by Brian Keenan, explores the daily crisis endured by hostages whose strength comes from communication, both subtle and mundane, from humor, wit and faith.
- Sales Rank: #1183761 in Books
- Brand: Brand: Faber and Faber Plays
- Published on: 1993-01-07
- Released on: 1993-01-07
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .17" w x 5.00" l, .22 pounds
- Binding: Paperback
- 96 pages
- Used Book in Good Condition
About the Author
Frank McGuinness,born on July 29, 1953, in Buncrana, Donegal, Ireland. He lectures at University College, Dublin. His first major success as a playwright was the 1982 production of Factory Girls. His first internationally acclaimed play is the 1985 Observe the Sons of Ulster Marching towards the Somme. He is also the author of such celebrated plays as Innocence, The Factory Girls and Someone Who'll Watch Over Me. His translations include Ibsen's Rosmersholm, Peer Gynt, Hedda Gabler and A Doll's House; Chekhov's Three Sisters and Uncle Vanya; Lorca's Yerma; Brecht's The Threepenny Opera and The Caucasian Chalk Circle; and Sophocles' Electra and Ostrovsky's The Storm.
Most helpful customer reviews
1 of 1 people found the following review helpful.
great
By bigcheese
great play - needed it for theater class - very good - McGuiness is one of my favorites. must read for theater student
21 of 21 people found the following review helpful.
An emotional rollercoaster
By Chris Murray
"There were three bollocks in a cell in Lebanon. An Englishman, an Irishman, and an American. Why they were in that cell was anybody's guess, and why they were in Lebanon was their own guess." (p. 17)
This is how one of the characters describes their own situation. It sounds like the beginning of a joke and indeed, humour-light hearted as well as black-gets its fair share in McGuinness play. But it never truly manages to conceal the desperateness of their situation.
Having been kidnapped for political reasons unknown to them, by people who are only referred to as 'Arabs' or 'the Enemy', the three hostages have to cope with the daily challenge of fear and monotony. While their captor's strength 'depends on silence' as one of the characters observes, their own depends on communication. There are savage fights between the three as well as gentle understanding, uproarious laughter and deep grief. The play takes the audience on a rollercoaster journey through the horrors of captivity, the balm of memory and the unbreakable strength of friendships forged in dire circumstance.
The play is inspired by the true story of Brian Keenan from Northern Ireland, who was kidnapped in 1986 shortly after taking up his position as a lecturer of English at the American University in Beirut. He was released in 1990 after talks between the Irish and the Iranian government. Most of the four years and five months in Lebanese captivity he spent together with John McCarthy, a British journalist. McCarthy had in fact come to Beirut to make a documentary about the hostage situation and was kidnapped shortly after Brian Keenan. The two men became close friends. When Brian Keenan was released he said that to leave behind his co-hostage was 'like losing an arm'. John McCarthy was not released until August 1991 after more than five years in captivity.
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