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Illuminating the dark side of the American century, The Monster Show uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements.
With penetrating analyses and revealing anecdotes, David J. Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.
- Sales Rank: #346488 in Books
- Published on: 2001-10-15
- Released on: 2001-10-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.00" w x 5.50" l, 1.27 pounds
- Binding: Paperback
- 448 pages
Amazon.com Review
This study of the visual horror genre from Dr. Caligari to Dr. Hannibal Lecter starts with a discussion of Diane Arbus's photographs of freaks. David Skal then suggests that he will seek to "explain why the images resonated in the culture ... [and] why so much of our imaginative life in the 20th century has been devoted to peeling back the masks and scabs of civilization, to finding, cultivating, and projecting nightmare images of the secret self." Whether or not you agree with his thesis that horror is a symptom of society's ills (war, disease, poverty), you will find much of value in this thorough, highly readable history--especially the detailed accounts of the work of filmmaker Tod Browning, and of how Frankenstein and Dracula made their way from books to plays to films. The book is handsomely designed (hardcover has dust jacket by Edward Gorey), with illustrations, footnotes, and index.
From Publishers Weekly
This entertaining survey mixes behind-the-scenes Hollywood anecdotes with intriguing social analysis. Skal ( Hollywood Gothic ) considers the archetypes depicted in Dracula , Frankenstein , Dr. Jekyll and Mr. Hyde and Tod Browning's Freaks as responses to the Great Depression that contained metaphors of class warfare. Scientific sadism in films of the 1940s drew on partial knowledge of the Third Reich, he argues, while movie monsters of the '50s personified Bomb-bred mutants or Cold War brainwashers. Skal links 1960s films' anxiety about sex and reproduction to the introduction of the Pill and Thalidomide, and suggests that horror flicks of the '70s and '80s show signs of the post-traumatic stress syndrome suffered by many Vietnam veterans. Though he analyzes Stephen King's novels, Michael Jackson's "Thriller" video and Famous Monsters magazine, his book might have been richer had he delved into more non-Hollywood aspects of pop culture, such as heavy metal music. Illustrations not seen by PW.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
Skal, author of a terrific history of the Dracula subgenre, Hollywood Gothic: The Tangled Web of "Dracula" from Novel to Stage to Screen ( LJ 9/15/90), offers an incisive analysis of the (mostly) American horror film. He demonstrates how historical, social, and political factors influenced (and were influenced by) Hollywood's production of this changing but almost always popular genre. Skal ventures from Tod Browning's "mutilation allegories" of the post-World War I 1920s, to the early archetypes of the 1930s (Dracula, Frankenstein, and the one-of-a-kind movie Freaks ), to the mid-1950s, and on to the AIDS metaphors in today's sex-and-splatter films. Skal also includes fresh production information and trivia. The Monster Show is much better than Walter Kendrick's recent The Thrill of Fear (Grove Pr., 1991), which deals more with literature than film. This sharply written, thoroughly researched, and unflaggingly compelling book is the best "serious" nonsurvey of the genre to date. For all cinema collections.
- David Bartholomew, NYPL
Copyright 1993 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Wonderful book, well and lovingly written by David J ...
By Amazon Customer
Wonderful book, well and lovingly written by David J Skal, although I could have done without the California/feminist/Freudian critiques that take up far too much of the last quarter of the book. The photographs are many and great. An excellent book all the way around. If you have a "Monster movie" fan on your Christmas list this would be a perfect gift.
0 of 1 people found the following review helpful.
My fault for not reading the notes better.
By Fred
A little disappointing for me because I misinterpreted what this was about. The cultural background was interesting, but I was a horror movie fan from the 1950's when they started showing the old Universal movies from the 1930's and wanted to read more about the making of the movies. My fault for not reading the notes better.
13 of 15 people found the following review helpful.
Frightfully good
By Charlus
Wonderfully witty and well written, this is a cultural history that well deserves its name. The first half plays up to Skal's strength as a film historian but the second half, which detours into comic books, Stephen King, monster models, the Adams Family, etc. is marred with passages of psychobabble and strained analysis. Mostly however this is an entertaining and near definitive exploration of things delightfully horrible. And the illustrations are great!
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