Free PDF The World's Wife: Poems, by Carol Ann Duffy
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The World's Wife: Poems, by Carol Ann Duffy
Free PDF The World's Wife: Poems, by Carol Ann Duffy
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Be terrified.
It's you I love,
perfect man,
Greek God, my own;
but I know you'll go,
betray me, stray
from home.
So better by far for
me if you were stone.
--from "Medusa"
Stunningly original and haunting, the voices of Mrs. Midas, Queen Kong, and Frau Freud, to say nothing of the Devil's Wife herself, startle us with their wit, imagination, and incisiveness in this collection of poems written from the perspectives of the wives, sisters, or girlfris of famous -- and infamous -- male personages. Carol Ann Duffy is a master at drawing on myth and history, then subverting them in a vivid and surprising way to create poems that have the pull of the past and the crack of the contemporary.
- Sales Rank: #46584 in Books
- Published on: 2001-04-09
- Released on: 2001-04-09
- Original language: English
- Number of items: 1
- Dimensions: 8.18" h x .22" w x 5.50" l, .25 pounds
- Binding: Paperback
- 96 pages
From Publishers Weekly
The voices of Mrs. Tiresias, Mrs. Faust, Mrs. Quasimodo and other wives wittily recast myth and history from a woman's point of view in the pages of Manchester-based Duffy's fifth collection. Self-contained Penelope is not waiting for her Odysseus; frustrated Mrs. Sisyphus is married to a workaholic; Pygmalion's statue, tired of being pestered by her groping suitor, "changed tack/ grew warm, like candle wax/ kissed back"--and after sex gets dumped. But while Duffy's revisionist dramatic monologues are rife with clever twists, this material has been well mined by such poets as Alta, Margaret Atwood and Alicia Ostriker. Even references to Viagra, sheep-cloning and Monica Lewinsky seem an updating of Transformations (1971), Anne Sexton's deadpan fairy tales studded with cultural references, with the poems trapped in a similarly polarized conception of gender relations. Thus Thetis is brutalized in a new way each time she changes form--man is cross-bow to her albatross, charmer to her snake, fisherman to her mermaid--and to Queen Herod, the Christ child is simply a threat to her infant girl: he's "The Wolf. The Rip. The Rake. The Rat./The Heartbreaker. The Ladykiller. Mr. Right." The luckiest in love is Mrs. Beast, married to a devoted creature that's hung like a mule, and just as hardworking: "And if his snot and trotters fouled/ my damask sheets, why, then, he'd wash them. Twice." The flippant tone elicits chuckles, but one imagines these characters would've come a longer way by now, baby. (Apr.) FYI: Duffy's anthology Time's Tidings: Greeting the 21st Century includes 50 contemporary poets, each of whom is represented by a poem of his or her own on "time," and by a favorite poem on the same subject. (Anvil [Dufour, dist.], $18.95 paper 160p ISBN 0-85646-313-2).
-, $18.95 paper 160p ISBN 0-85646-313-2).
Copyright 2000 Reed Business Information, Inc.
From The New Yorker
" . . . The élan of this volume sets it apart, the characters (and poems) triumphant."
From Booklist
Duffy's dramatic monologues expressing the perspectives of famous men's wives resemble the potato chips in the old ad campaign, for it is hard to read just one. "Mrs. Aesop" tells us what an excruciating bore the old moralist was. "Mrs. Sisyphus" bitterly complains about her hubby's job. "Frau Freud" reveals no penis envy at all. Yet, not all these wives' tales are funny. "Mrs. Lazarus" is as horrified as he by his resurrection. "Circe," after the disappointing experience with Odysseus, says she has lost her appetite for men, but not for "sizzling pig." "Mrs. Midas" yearns for his touch again, even as she rues marrying such a thoughtless, greedy man. And then there is the startling allegory of the power of poetry that Duffy makes out of "Little Red-Cap" (aka Little Red Riding Hood). Although intentionally more humorous than Anne Sexton's fairy tale retellings or Ann Stanford's re-envisionings of Greek myths, Duffy's takes on the stuff of legends are as richly rewarding as those much-admired poems. Ray Olson
Most helpful customer reviews
4 of 4 people found the following review helpful.
New voices
By Erin J. Kiley
In "The World's Wife," Duffy deftly reworks tales from myths, fables, the bible, popular culture, literature and history. Some popular stories are reexamined through the eyes of a female witness, as with "Pilate's Wife," "Mrs. Darwin, " "Mrs. Sisyphus" and "Anne Hathaway." Others are modernized; In "Mrs. Faust," Faust and his wife are a pair of yuppies collecting degrees, computers and cell phones. A few stories, like "Queen Kong", are reimagined with a female protagonist replacing the male. The poetry is as diverse as the personae, with voices ranging from lingering, dreamy and dramatic to hard, clipped and succinct.
The World's Wife lets previously unheard women speak. Their voices are not always what readers expect from a lyric speaker, for how often is deep emotion examined through rhyming slang for tits, or the nicknames for a penis? Yet when Duffy calls a modern wife frustrated by her husband's discovery of Viagra "Mrs. Rip Van Winkle," or a contemporary-voiced woman whose husband works mindlessly and ceaselessly "Mrs. Sisyphus," Duffy reveals that their personal struggles are not theirs alone. Their troubles have resonance, and echo through history, literature and myth---even though in the past it may have been left unspoken.
0 of 0 people found the following review helpful.
Four Stars
By Mona Weiler
Carol Ann Duffy's poetry is provocative and entertaining.
33 of 35 people found the following review helpful.
Rhetorical Questions
By Tom Adair
As volumes of poetry go, The World's Wife is very tightly-themed: each poem is a monologue in the persona of a woman married (or otherwise attached) to a more famous man. The men are more usually from myth or fairy tale (Mrs Sisyphus, Mrs Beast) than from history, although five are biblical and one or two are from history as recent as the 1960s (I think The Devil's Wife may be a portrait of Myra Hindley). Duffy's approach to these monologues is almost absolutely consistent: the women express contempt, irritation, resentment and sorrow for the foolishness and egotism of their partners. Mrs Quasimodo desecrates her husband's beloved bells by fouling them with her own urine; both Penelope and Mrs Lazarus are discomfited by their husbands' return; Mrs Tiresias seeks solace in lesbianism. Only occasionally (as with Anne Hathaway) does the wife feel real love for her husband. The subject-matter, thus paraphrased, looks gloomy and bitter, but in fact these poems are entertaining and very likeable. It is quite important to these pieces that they are funny - and we do laugh because of the constantly-perceived clash between lofty, remote, sacred men and contemporary-sounding, slangy, immediate women. Duffy's language is exactly right for her project. Rhythmically it is strongly pulsing; even more important is the function of rhyme and half-rhyme (the latter perhaps this poet's single-most impressive talent). Reinforcing the wilful, aggressive quality of the rhetoric is Duffy's aptitude for witty puns involving cliches and hackneyed figures of speech (Eurydice is 'out of this world'). At the same time, however, the language is kept aerated and three-dimensional by beautiful off-the-cuff metaphors ('a snapdragon gargling a bee'). I think all this is extremely well-judged poetry; it is rich and confident and if it lacks subtlety, irony or mysteriousness, that is in the nature of its unusually rhetorical mission.
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