Fee Download State of the Nation: British Theatre Since 1945, by Michael Billington
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State of the Nation: British Theatre Since 1945, by Michael Billington
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State of the Nation: British Theatre since 1945 looks at post-war Britain from a theatrical perspective. It examines the constant interplay between theatre and society from the resurgent optimism of the Attlee years to the satire boom of the Sixties and the growth of political theatre under Tony Blair in the post-Iraq period. Featuring detailed evaluations of writers from J. B. Priestly and Terence Rattigan to Alan Bennett and David Hare, Billington is continuously insightful and incisive. As Britain's longest-serving theatre critic Michael Billington is uniquely placed to offer an authoritative overview of modern British theatre, and the book offers a passionate defence of the dramatist as the medium's key creative figure. Controversial, witty and informed, State of the Nation offers a fresh and challenging look at the vast upheavals that have taken place in British society, and the theatre which documents and challenges it, in the course of sixty turbulent years. "[Billington] views his subject as a "vehicle of moral enquiry" and brings to bear wide experience, astute opinion and diligent research to write what for many might become the definitive book on theatre in the period between the departures of Churchill and Blair...This book should be a must for Christmas stocking of anyone interested in theatre in this country. It will give readers hours of pleasure and in many cases, the odd splutter of indignation as a forthright opinion does not fit in with their own. That is the mark of a good critic and Michael Billington is one of the very best." (British Theatre Guide).
- Sales Rank: #1686428 in Books
- Published on: 2007-12-31
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x 1.02" w x 5.04" l, .81 pounds
- Binding: Paperback
- 464 pages
Review
Magisterial, informative and lively. Essential for anybody interested in theatre's recent history. The Times Billington is first-rate when it comes to spotting themes in the diverse work he has seen, and his book is an impressive monument to a professional life well spent. There is some superb critical analysis of individual plays with Billington finding fresh things to say and he's excellent, too, on the creation and shifting fortunes of the National Theatre and Royal Shakespeare Company. Daily Telegraph Billington has managed to produce a compelling narrative history of 60 years of British theatre which is a pleasure to read. The Economist Billington has produced an account of the theatre and of Britain which, like the art he rates most highly, does not only reflect on what happens, but may influence it too. Independent
About the Author
Michael Billington has been theatre critic of the Guardian since 1971 and of Country Life since 1986. He is the author of biographies of Harold Pinter (newly revised this year) and Peggy Ashcroft, of critical studies of Tom Stoppard and Alan Ayckbourn, of a celebration of Ken Dodd and a collection of reviews, One Night Stands. He has also edited Directors' Shakespeare: Twelfth Night and Stage and Screen Lives selected from the Dictionary of National Biography. He frequently lectures and broadcasts on the arts, teaches drama for the University of Pennsylvania and is a Visiting Professor at King's College, London and an Honorary Fellow of St Catherine's College, Oxford.
Most helpful customer reviews
1 of 2 people found the following review helpful.
A great survey of British Theatre
By Coco Pazzo
This is a very well-written and comprehensive survey of post-war British theatre. I do have some minor quibbles with Billington because he tends to discount the still-lasting effect of WWII on British drama, but otherwise this is the best survey I have yet to read of post-war British theatre.
0 of 0 people found the following review helpful.
An Epic Text Revealing the Author's Dramatic Tastes
By Dr. Laurence Raw
STATE OF THE NATION can best be approached as an epic text, chronicling the development of British theater since the end of the Second World War. A lot of it will seem no doubt familiar to students of the topic: the rise and fall of the Angry Young Men, the protest theater of the Sixties, the growth of the fringe during the Seventies, theatrical retraction during the Thatcher period, followed by a revaluation of subsidy and the theater during the Blair era. Billington is particularly harsh on certain major figures of the era; he certainly doesn't like Binkie Beaumont, the West End producer of the Fifties who controlled all the major theaters, and whose dramatic tastes were inherently conservative. Nor does he have much time for Noel Coward, whom he dismisses as a rather antediluvian figure (despite the revival of interest in his work during the Sixties and the Noughties). On the other hand STATE OF THE NATION reveals a penchant for Pinter, Bond, Nichols and (more latterly) the work of Sarah Kane and Martin McDonough. STATE OF THE NATION is an extremely readable text, the product of a drama critic who has simultaneously delighted and enraged readers of London's GUARDIAN newspaper.
0 of 0 people found the following review helpful.
The most inspiring book I ever read
By Yasushi Hirata
As I am interested in the theatre especially the drama and how it reflects the society in which it was written, this book was the work I have been looking for.
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