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Mystery and Manners: Occasional Prose, by Flannery O'Connor
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This bold and brilliant collection is a must for all readers, writers, and students of American literature
When she died in 1964, Flannery O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her lifetime. The brilliant pieces in Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the boldness and simplicity of her style, a fine-tuned wit, understated perspicacity, and profound faith.
The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. There are three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two on teaching literature, including "Total Effect and the Eighth Grade"; and four on the writer and religion, including "The Catholic Novel in the Protestant South." Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are gems. Their value to the contemporary reader―and writer―is inestimable.
- Sales Rank: #5161397 in Books
- Published on: 1984
- Original language: English
- Number of items: 1
- Binding: Paperback
Review
“Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing.” ―John Leonard, The New York Times
“[O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South,' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius.” ―Alfred Kazin, The New York Times Book Review
About the Author
Flannery O'Connor was born in Savannah, Georgia, in 1925. When she died at the age of thirty-nine, America lost one of its most gifted writers at the height of her powers. O'Connor wrote two novels, Wise Blood (1952) and The Violent Bear It Away (1960), and two story collections, A Good Man Is Hard to Find (1955) and Everything That Rises Must Converge (1964). Her Complete Stories, published posthumously in 1972, won the National Book Award that year, and in a 2009 online poll it was voted as the best book to have won the award in the contest's history. Her letters were published in The Habit of Being (1979). In 1988 the Library of America published her Collected Works; she was the first postwar writer to be so honored. O'Connor was educated at the Georgia State College for Women, studied writing at the Iowa Writers' Workshop, and wrote much of Wise Blood at the Yaddo artists' colony in upstate New York. A devout Catholic, she lived most of her adult life on her family's ancestral farm, Andalusia, outside Milledgeville, Georgia, where she raised peacocks and wrote.
Most helpful customer reviews
5 of 5 people found the following review helpful.
O'Connor's Love of Heaven
By olingerstories
MYSTERY AND MANNERS is a discourse on writings in which the great O'Connor reveals to the reader the grand purpose of her prose. The transcendent is heaven, that which is unseen and mysterious. History is moving towards the goal of being with God in heaven, but life is lived out on the level of the mundane (manners). The intersection of the two centers each and every story that O'Connor ever wrote. Relentless in her eschatological drive, beautiful in her style, sharp with her wit,
this is a feast of intellectual and artistic delight. There is nothing quite like reading Flannery O'Connor, and this is a good place to start.
2 of 6 people found the following review helpful.
amazing book!
By Anne from Baltimore
My husband purchased this book, but I'm going to write a review for it. He loves it, BUT...read the other books referenced in this book first, otherwise there may be some spoilers in this book. My husband only read part of it and then ordered one of the other books before he reads the essay about it in this book.
13 of 14 people found the following review helpful.
O'Connor's essays are invaluable
By E. J.
"I think that every writer, when he speaks of his own approach to fiction, hopes to show that, in some crucial and deep sense, he is a realist; and for some of us, for whom the ordinary aspects of daily life prove to be of no great fictional interest, this is very difficult. I have found that if one's young hero can't be identified with the average American boy, or even with the average American delinquent, then his perpetrator will have a good deal of explaining to do."
Flannery O'Connor's "Mystery and Manners" is, to me, an indispensable text: it has acted as my writing mentor for several years. As a collection of her essays, mostly about some aspect of writing, literature, culture, or religion (the oddball here is a humorous essay describing O'Connor's traumatic experience raising peacocks), "Mystery and Manners" provides a look into the mind and purpose of a great Southern writer. I recommend that those interested in O'Connor's works read this book before diving into "Wise Blood" or "A Good Man is Hard to Find." Without a clear understanding of O'Connor's intentions, first time readers may feel as if they are being sucked into a black whirlpool by the intensity of some of her works. These essays can help leviate that shock.
Here O'Connor explains why she writes the way she does ("The Grotesque in Southern Fiction," "On Her Own Work"), the value of regional culture to Southern writers like herself ("The Fiction Writer and His Country," "The Regional Writer"), what makes writing good ("The Nature and Aim of Fiction," "Writing Short Stories"), her view of how literature should be used in schools ("The Teaching of Literature," "Total Effect and the Eighth Grade"), and how her Catholic faith factors into her writing ("The Church and the Fiction Writer," "The Catholic Novelist in the Protestant South"). The final essay, "A Memoir of Mary Ann," discusses a cancer-wracked child's story--and that child's purpose. These writings, filled with both wisdom and humor, are valuable to writers with religious interests (Protestant as well as Catholic), to anyone trying to understand Southern culture, and to all lovers of good literature.
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