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Frank McGuinness: Plays One: The Factory Girls, Observe the Sons of Ulster, Marching Towards the Somme, Innocence, Carthaginians, Baglady (
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A collection of Frank McGuinness plays from the 1980s.
- Sales Rank: #1026233 in Books
- Brand: Brand: Faber n Faber
- Published on: 1996-04-04
- Original language: English
- Number of items: 1
- Dimensions: 9.26" h x 1.22" w x 4.00" l, .71 pounds
- Binding: Paperback
- 336 pages
- Used Book in Good Condition
About the Author
Frank McGuinness was born in Buncrana, Co. Donegal, and now lives in Dublin and lectures in English at University College Dublin. His plays include: The Factory Girls (Abbey Theatre, Dublin, 1982), Baglady (Abbey, 1985), Observe the Sons of Ulster Marching Towards the Somme (Abbey, 1985; Hampstead Theatre, London, 1986), Innocence (Gate Theatre, Dublin, 1986), Carthaginians (Abbey, 1988; Hampstead, 1989), Mary and Lizzie (RSC, 1989), The Bread Man (Gate, 1991), Someone Who'll Watch Over Me (Hampstead, West End and Broadway, 1992), The Bird Sanctuary (Abbey, 1994), Mutabilitie (NT, 1997), Dolly West's Kitchen (Abbey, 1999; Old Vic, 2000), Gates of Gold (Gate, 2002), Speaking Like Magpies (Swan, Stratford, 2005), There Came a Gypsy Riding (Almeida, London, 2007), Greta Garbo Came to Donegal (Tricycle Theatre, London, 2010) and The Match Box (Liverpool Playhouse Studio, 2012). His widely performed versions include Ibsen's Rosmersholm (1987), Peer Gynt (1988), Hedda Gabler (1994), A Doll's House (1997), The Lady from the Sea (2008) and John Gabriel Borkman (2010); Chekhov's Three Sisters (1990) and Uncle Vanya (1995); Lorca's Yerma (1987); Brecht's The Threepenny Opera (1991) and The Caucasian Chalk Circle (1997); Sophocles' Electra (1998) and Oedipus (2008); Ostrovsky's The Storm (1998); Strindberg's Miss Julie (2000); Euripides' Hecuba (2004) and Helen (2009); Racine's Phaedra (2006) and Tirso de Molina's Damned by Despair (2012).
Most helpful customer reviews
13 of 14 people found the following review helpful.
A Worthwile Read
By Stephen D Benedetto
In "Plays One," all of Frank McGuinness' major plays are offered in their entirity, edited by the playwright himself. Compared to legendary Irish playwright Sean O'Casey, McGuinness' plays are simutaneously striking and complex, and inspire tremendous reflection within the reader. With the exception of the rather simple "Factory Girls," the remainder of McGuinness' plays included in "Plays One" are filled with layer after layer of substance, likely to inspire even the most simple and passive of readers to consider the playwrights many feasible intentions. Whether one is a scholar of Irish Literature or not, it is unlikely that anyone could be disappointed with McGuinness plays. In "Plays One," Frank McGuinness proves that the comparisons to O'Casey are not unwarranted.
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